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From the Field

Notes on wildlife, wilderness, and the slower craft of ceramics.

Field dispatches, studio notes, and the occasional gear breakdown — written between trips, not on a
schedule. Most entries start as notebook scrawl in a blind or by a kiln, and stay close to that voice:
specific, unhurried, a little technical.

Testing a new ash glaze sourced from windfall in the studio yard, with mixed and occasionally spectacular results.

The Patience of Herons

Four mornings, one frame, and a lesson in stillness that applies just as well off the water.

Packing Light for Altitude

What actually made the cut for six weeks above 12,000 feet, and the two lenses I regretted bringing.

Revisiting the falls that inspired the Slow Motion series, a year on, to see how the same three bears have […]

On the discipline ceramics has taught me that photography never could — namely, that you cannot rush a material into […]

Chasing Light in Denali

Three weeks above the Arctic Circle, waiting for a single hour of usable light each day. Most of it was […]

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