Glazing with What the Land Gives
Testing a new ash glaze sourced from windfall in the studio yard, with mixed and occasionally spectacular results.
The Patience of Herons
Four mornings, one frame, and a lesson in stillness that applies just as well off the water.
Packing Light for Altitude
What actually made the cut for six weeks above 12,000 feet, and the two lenses I regretted bringing.
Bears of Katmai, One Year Later
Revisiting the falls that inspired the Slow Motion series, a year on, to see how the same three bears have
Why I Still Throw Pots by Hand
On the discipline ceramics has taught me that photography never could — namely, that you cannot rush a material into
Chasing Light in Denali
Three weeks above the Arctic Circle, waiting for a single hour of usable light each day. Most of it was